13 minutes from sunrise,
i have carved out time in to
the shape of a bird, and no it is at
market, instead of drifting down
the
upper Niagara, this is not the
sweep of the second hand here,
it is not
a small sun rising stationary in the
east marking me greedy for life
it is more abstract than that it is
blood dipped on paper and
burned, it is my sacrifice to the
only divinity I have known, it is my
heart
at the heart of property and to
cut it out would stop the sun from
rising, and push me from the
coast of my being in to what...
eternity?
Tuesday, June 12, 2012
Monday, February 13, 2012
Clay Mortar between the Stone.
I have learned the art of
return, beer bottles to faith, and
back to 15 desperate hotel rooms,
finalized by sandy haired maids
all yelling, all willing to take a stray in,
all love is declarative of something:
that it is monastic, and it works
the heart in its brothel, no better line
of work for something so abused, I
knew before knowing that you were the one,
I would trade in dreams for, for a good
stone walk and a garden by the fish pool,
where faith is orange and gold, and a
vine choked nasturtium, waits patiently
on a botanist, needing only a few knowing
fingers to unfurl the bindweed from its
throat, fingers with strength enough to pull
the killing thing out all the way
down to the root.
return, beer bottles to faith, and
back to 15 desperate hotel rooms,
finalized by sandy haired maids
all yelling, all willing to take a stray in,
all love is declarative of something:
that it is monastic, and it works
the heart in its brothel, no better line
of work for something so abused, I
knew before knowing that you were the one,
I would trade in dreams for, for a good
stone walk and a garden by the fish pool,
where faith is orange and gold, and a
vine choked nasturtium, waits patiently
on a botanist, needing only a few knowing
fingers to unfurl the bindweed from its
throat, fingers with strength enough to pull
the killing thing out all the way
down to the root.
Friday, November 4, 2011
the holding of light
you know the pool in love canal,
my now girlfriend, the one that loves
Jesus, the one that might be the one
says over the phone, i am not on the phone
but answer, yes i know it-
yes i know
it holds deep blue benzine and
bubbles of pure noon
each a container of sun, and I know
that it has recorded
my youth, silent
as a spring of hard iron
water constant as limestone
time runs to it
like my fathers love, a combination
of duty and anger,
the quiet maleness of doing
the manifesting disfigured intention
a rage of convention, defines civilization
digging holes and filling them in
finding purpose in the action -alone
the auto drive to work
the cage a woman becomes,
after she calms the sea, gray with
anger so deep
it is white
and she
provides earnest flying lessons
to those birds of desire
the ego like a window on fire with
mornings to come, and a finality
in the mourning of moving,
hands and dwellings
first one home then two- 4 houses
split parceled out like seconds swept
clean by a hand counting the
minutes we
dwell in becoming whole
recordable truths, a pool dug
in dirty soil, soiled dirt
its is a simple list of the
sacrilege, my parents
grocery list become confused
in the milk and eggs of everyday, as
we would shoehorn church in to the yawn of
Sunday morning, my spirit longing for
the tragic, the blood i knew was true
now though i know the water
is cold, and the chlorine is
strong as white stones, and the only
poisons swimming in the deep end
is the past that threatens to stop me
and pull me down past the embers of midday
fracturing time and propriety
where i and he and this 91st street pool become
one thing, and just the memory
is whispered, like a gust, a God
through the leaves of an aspen tree.
my now girlfriend, the one that loves
Jesus, the one that might be the one
says over the phone, i am not on the phone
but answer, yes i know it-
yes i know
it holds deep blue benzine and
bubbles of pure noon
each a container of sun, and I know
that it has recorded
my youth, silent
as a spring of hard iron
water constant as limestone
time runs to it
like my fathers love, a combination
of duty and anger,
the quiet maleness of doing
the manifesting disfigured intention
a rage of convention, defines civilization
digging holes and filling them in
finding purpose in the action -alone
the auto drive to work
the cage a woman becomes,
after she calms the sea, gray with
anger so deep
it is white
and she
provides earnest flying lessons
to those birds of desire
the ego like a window on fire with
mornings to come, and a finality
in the mourning of moving,
hands and dwellings
first one home then two- 4 houses
split parceled out like seconds swept
clean by a hand counting the
minutes we
dwell in becoming whole
recordable truths, a pool dug
in dirty soil, soiled dirt
its is a simple list of the
sacrilege, my parents
grocery list become confused
in the milk and eggs of everyday, as
we would shoehorn church in to the yawn of
Sunday morning, my spirit longing for
the tragic, the blood i knew was true
now though i know the water
is cold, and the chlorine is
strong as white stones, and the only
poisons swimming in the deep end
is the past that threatens to stop me
and pull me down past the embers of midday
fracturing time and propriety
where i and he and this 91st street pool become
one thing, and just the memory
is whispered, like a gust, a God
through the leaves of an aspen tree.
buried in the calendar
For me alone
God tugged a dark text
from the lemon light page sour with
morning sun, a ghost called to
dance in the melody of memory,
copper flavored as a mollusk, and
grown even, heavily biologic with
rage to haunt the steal
blade ego me, sideways through the
blank street of my marigold and mercury
sunrise machine,
Riding the clocks fastest hand
gravity’s thought astounds as
suddenly as a goldfish, curling faith
to cream, and weaving in the
willow trees that limn each
separate memory, in blue & pebble gray
along each orange scale burns the
difference, pronounced as night &
day
a wobble of axis, the word made into
rock, clay, dust and abandoned where
the glued stones shine by the
slices of light that accumulate into
a life long railroad, traveling east-west
a fixture of spirit, silver as a
gun delivers to me daily
new lead, dull madness inscribed
in my mind
forever two lines, running alone
together, a darkness of wood and stone
between us too, a million rails burning
sun untouched for a life, but for
the antler of shade where deer
crisp through September apples
I ache at all this gleaming gold
pressed up against a window pane
my mind winding
hair into sweaters and scraps of sweaters
into quilts, a feminine finger points
me north, a signal of that cold
freedom, courting the moon in winter
night, snow & space colliding in my eyes
a colorless world, metal lie
and before me now grows hands of
blue sky after its slumber, drunk and abandoned
love keeps me quarreling, pull at the wheel of
life, pouring out glass after glass, of this
electric thing, from some thing that seems
to be a great decanter of late December.
God tugged a dark text
from the lemon light page sour with
morning sun, a ghost called to
dance in the melody of memory,
copper flavored as a mollusk, and
grown even, heavily biologic with
rage to haunt the steal
blade ego me, sideways through the
blank street of my marigold and mercury
sunrise machine,
Riding the clocks fastest hand
gravity’s thought astounds as
suddenly as a goldfish, curling faith
to cream, and weaving in the
willow trees that limn each
separate memory, in blue & pebble gray
along each orange scale burns the
difference, pronounced as night &
day
a wobble of axis, the word made into
rock, clay, dust and abandoned where
the glued stones shine by the
slices of light that accumulate into
a life long railroad, traveling east-west
a fixture of spirit, silver as a
gun delivers to me daily
new lead, dull madness inscribed
in my mind
forever two lines, running alone
together, a darkness of wood and stone
between us too, a million rails burning
sun untouched for a life, but for
the antler of shade where deer
crisp through September apples
I ache at all this gleaming gold
pressed up against a window pane
my mind winding
hair into sweaters and scraps of sweaters
into quilts, a feminine finger points
me north, a signal of that cold
freedom, courting the moon in winter
night, snow & space colliding in my eyes
a colorless world, metal lie
and before me now grows hands of
blue sky after its slumber, drunk and abandoned
love keeps me quarreling, pull at the wheel of
life, pouring out glass after glass, of this
electric thing, from some thing that seems
to be a great decanter of late December.
Thursday, July 28, 2011
toes in the depth of cold shadow
you know the pool in love canal,
my now girlfriend, the one that loves
Jesus, the one that might be the one
says over the phone, i am not on the phone
but answer, yes i know it-
yes i know
it holds deep blue benzine and
bubbles of pure noon
each a container of sun, and I know
that it has recorded
my youth, silent
as a spring of hard iron
water constant as limestone
time runs to it
like my fathers love, a combination
of duty and anger,
the quiet maleness of doing
the manifesting disfigured intention
a rage of convention, defines civilization
digging holes and filling them in
finding purpose in the action -alone
the auto drive to work
the cage a woman becomes,
after she calms the sea, gray with
anger so deep
it is white
and she
provides earnest flying lessons
to those birds of desire
the ego like a window on fire with
mornings to come, and a finality
in the mourning of moving,
hands and dwellings
first one home then two- 4 houses
split parceled out like seconds swept
clean by a hand counting the
minutes we
dwell in becoming whole
recordable truths, a pool dug
in dirty soil, soiled dirt
its is a simple list of the
sacrilege, my parents
grocery list become confused
in the milk and eggs of everyday, as
we would shoehorn church in to the yawn of
Sunday morning, my spirit longing for
the tragic, the blood i knew was true
now though i know the water
is cold, and the chlorine is
strong as white stones, and the only
poisons swimming in the deep end
is the past that threatens to stop me
and pull me down past the embers of midday
fracturing time and propriety
where i and he and this 91st street pool become
one thing, and just the memory
is whispered, like a gust, a God
through the leaves of an aspen tree.
my now girlfriend, the one that loves
Jesus, the one that might be the one
says over the phone, i am not on the phone
but answer, yes i know it-
yes i know
it holds deep blue benzine and
bubbles of pure noon
each a container of sun, and I know
that it has recorded
my youth, silent
as a spring of hard iron
water constant as limestone
time runs to it
like my fathers love, a combination
of duty and anger,
the quiet maleness of doing
the manifesting disfigured intention
a rage of convention, defines civilization
digging holes and filling them in
finding purpose in the action -alone
the auto drive to work
the cage a woman becomes,
after she calms the sea, gray with
anger so deep
it is white
and she
provides earnest flying lessons
to those birds of desire
the ego like a window on fire with
mornings to come, and a finality
in the mourning of moving,
hands and dwellings
first one home then two- 4 houses
split parceled out like seconds swept
clean by a hand counting the
minutes we
dwell in becoming whole
recordable truths, a pool dug
in dirty soil, soiled dirt
its is a simple list of the
sacrilege, my parents
grocery list become confused
in the milk and eggs of everyday, as
we would shoehorn church in to the yawn of
Sunday morning, my spirit longing for
the tragic, the blood i knew was true
now though i know the water
is cold, and the chlorine is
strong as white stones, and the only
poisons swimming in the deep end
is the past that threatens to stop me
and pull me down past the embers of midday
fracturing time and propriety
where i and he and this 91st street pool become
one thing, and just the memory
is whispered, like a gust, a God
through the leaves of an aspen tree.
there, growers in lean times.
pale with grief
I ride the sun in to
the flat black rooftops of the
abandoned and boarded
hold outs, the
solider skeletons of
the immaculate desert- downtown
the last daisy flying
up in solitary wind
my widening eyes
empty burning a
crescent moon in the blue
lung sky I exhale a
pattern of street lights
solemn and begging, bums, food almost
never,
wanters- but mostly cash, a story a
lie- if not one cigarette, two
a quarter,
some how 33 cents seems to be a scam,
too
the unbelievable made true
by urgency, panic, desperation glue
to hold their brass words up against the
shredded sun, telling it to children too
softy though
because it is so quiet now
in my city
that
the mice wail, and gather
under its purple hour
to call her home,
Midnight, Midnight, And she comes like a wife.
I ride the sun in to
the flat black rooftops of the
abandoned and boarded
hold outs, the
solider skeletons of
the immaculate desert- downtown
the last daisy flying
up in solitary wind
my widening eyes
empty burning a
crescent moon in the blue
lung sky I exhale a
pattern of street lights
solemn and begging, bums, food almost
never,
wanters- but mostly cash, a story a
lie- if not one cigarette, two
a quarter,
some how 33 cents seems to be a scam,
too
the unbelievable made true
by urgency, panic, desperation glue
to hold their brass words up against the
shredded sun, telling it to children too
softy though
because it is so quiet now
in my city
that
the mice wail, and gather
under its purple hour
to call her home,
Midnight, Midnight, And she comes like a wife.
Friday, May 20, 2011
granted for you in stone & out
where sand is gravity
a baltimore
oriole
reminds me in number
that it is the birds, that limn each
line of poetry
further away- husking the
silk, and refining the poor,
out
of their mouths gold is dropping, and the
secret bubble is (a cupboard that is wrinkled blued
as a gun, and draining)
busting in side of the
wind, the last carriage of meaning
rests on each (remember the shopping cart of
books and the distant man...pointing at the rain)
wave (the riddle)a sort of killing, a fin
descending, the trophy of life,
an elaborate thing to say, (in gesture and gray)
I rest
when the
clock strikes ten
and cement
the dour corners
down, and
look, I see the end the end that is not
coming, what (posit, each number thoughtfully,
and empty to the night, the
other name for red, so cool)
gratitude we will
have- everyone (green and through----->)(yellow)
looking back, remembering the
possibility of extinction.
a baltimore
oriole
reminds me in number
that it is the birds, that limn each
line of poetry
further away- husking the
silk, and refining the poor,
out
of their mouths gold is dropping, and the
secret bubble is (a cupboard that is wrinkled blued
as a gun, and draining)
busting in side of the
wind, the last carriage of meaning
rests on each (remember the shopping cart of
books and the distant man...pointing at the rain)
wave (the riddle)a sort of killing, a fin
descending, the trophy of life,
an elaborate thing to say, (in gesture and gray)
I rest
when the
clock strikes ten
and cement
the dour corners
down, and
look, I see the end the end that is not
coming, what (posit, each number thoughtfully,
and empty to the night, the
other name for red, so cool)
gratitude we will
have- everyone (green and through----->)(yellow)
looking back, remembering the
possibility of extinction.
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